Roma

2018

Drama

89
Rotten Tomatoes Critics - Certified Fresh 96%
Rotten Tomatoes Audience - Upright 72%
IMDb Rating 7.7 10 123500

Synopsis


Uploaded By: FREEMAN
February 01, 2020 at 05:48 AM

Cast

720p.BLU 1080p.BLU 720p.WEB 1080p.WEB
1.21 GB
1280*534
English 2.0
R
23.976 fps
2 hr 15 min
P/S 12 / 55
2.4 GB
1920*800
English 5.1
R
23.976 fps
2 hr 15 min
P/S 13 / 79
1.13 GB
1280*534
English 2.0
R
23.976 fps
2 hr 15 min
P/S 12 / 35
2.17 GB
1920*800
English 2.0
R
23.976 fps
2 hr 15 min
P/S 9 / 71

Movie Reviews

Reviewed by ElMaruecan82 9 / 10

A slice of Life... with a major "L"...

The story of Cleo and her 'family' might hit a sensitive chord for many viewers who grew up not just in Mexico but in any Third-World country, maybe not just in the 70s but probably the 80s or early 90s.

By no means am I depriving the story from its cultural core but it was Roger Ebert who said: "The more specific a film is, the more universal, because the more it understands individual characters, the more it applies to everyone." Still, it's not just about the characters, I could relate to the context as well on a superficial but still deeply personal level.

Coming from a middle-class family of Morocco, we also had these girls who came from poorer backgrounds (generally rural areas) and whose treatment would look a bit like slavery from a European/"Western" standpoint. The term wouldn't be appropriate though as they were paid, certainly not mistreated and in most cases were considered like members of the family. Not all the ladies of the house treated them with respect but they were often loved by the kids as sister-figures or even surrogate mothers. I was practically raised by the same 'dada' from the age of 4, she dressed me, woke me up, cleaned me till I was 8 (my daughter does it alone since she's 3) and well, she was part of my life and I miss her a lot.

I could relate to the story of Cleo and I was glad that the film didn't take the predictable "clash of the classes" path: having her fired, being rejected or ending as a prostitute in some brothel of Mexico City... Cuaron is above these tiresome archetypes and his intention is clearly to take the opportunity of a nostalgic voyage through his childhood to show people with a strong capability of caring and being empathetic regardless of their origins or social backgrounds. And Cleo, played with mesmerizing naturalness by Yalitza Aparicio, is obviously a girl to inspire the very feelings she exudes: she loves the children she saw growing up since the cradle, she's devoted to her "Signora" Sofia, played by Marina de Tavira, and she values her luck to be part of that world... she knows she could have been unluckier.

It's also interesting that Cleo isn't conventionally good-looking, not in a glamorous Hollywood sense anyway, and her petite frame and youthful face illuminated with a wide smile accentuate her vulnerability. She incarnates a sort of third world within the third world, like an extra layer of fragility making her the perfect target for the kind of troubles no upper class European looking girl would get herself into. Though the film is overarched by the social and political context of Mexico circa 1970-71, I didn't feel like Cuaron tried to make some social commentary, maybe it's just a character study of a woman who could only depend on the kindness of strangers, like Blanche Dubois, but is able to find some inner strength to overcome a blind (but not malicious) adversity if not triumph over it.

And indeed, in her harrowing journey (that doesn't follow any pattern of cinematic predictability), it's less in what happens to her than the reactions it inspires. The film is less driven by plot points but the way people react and reactions to their reactions... or non-reactions for that matter. There is an interesting scene where a Karate master shows a trick that looks extremely easy until it's done with closed eyes, I don't know if it was supposed to symbolize one of the film's underlying messages, but it's true that many things that happen are due to people's obliviousness, carelessness or lack of empathy. And near the end, both Cleo and Sofia realize they had more in common than they would have thought, adversity strikes everyone... only in different ways. Blind again, but not malicious.

What I liked in "Roma", besides its realism, is the fact that it doesn't just try to depict a slice of life but Life with a major L, providing sights often suggested but rarely shown in the movies. Indeed, the film contains many graphic sequences including a naked male body (and I'm sorry to say that it's more distracting for me than a woman's... maybe because the thing "moves"... chuckles) and one that shouldn't be spoiled but that had me almost gasping with tears because it was the moment where many aspects of an editing that demanded some patience from us finally paid off, and I knew I had to expect a high spot of emotionality sometime in the film. Cuaron's "Roma" (whatever the title means) is truly daring by showing life and death with the same clinical detachment from his lenses, one that also shows in the climactic scene, hinted by the poster.

Now, I wanted to give he film a 10 because it has reached a cinematic level of perfection I rarely found in a movie but sometimes its beauty just feels so deliberate it becomes sophisticated. The film benefits from Alfonso Cuaron's perfect command of the camera (we're obviously talking of the Oscar-winner for Best Cinematography and maybe Best Director) but the cinematography tends to steal the story's thunder and compromises the film's attempt to be a realistic portrait of a Mexican's slice of life in the 70s in an atmosphere of love devoid of the cynicism we get from today's dysfunctional families. The children in the film are not only adorable but played with an authentic simplicity and since so many directors said it was a nightmare to direct children, Cuaron deserves a credit for that too.

So It's precisely because the story is so well told and well acted that I wished it wouldn't be so well directed... though I approve the choice of the black-and-white for no other reason that it gives the film a sort of dreamy aura fitting its nostalgia.

Overall, "Roma" is a great film with a few haunting moments.

Reviewed by jenniflower74 10 / 10

A moving work of art.

A stunningly beautiful cinematic masterpiece. A heart-wrenching and heartwarming story of love and family.

Reviewed by Jared_Andrews 6 / 10

Two Great Scenes and a lot of Emptiness

"Roma" is a movie made for a certain audience. For viewers who love art films, geek out over cinematography, art direction, and minute details, it's a godsend and a masterpiece. For viewers who want action and story that moves, they can give this one a hard pass.

To say certain parts are dull would qualify as a massive understatement. Most scenes are puzzlingly dull. I say puzzling because you might find yourself wondering if you missed something during that 20-minute stretch of nothingness. I can assure you that you did not.

The entire film contains two worth-watching scenes and 100+ minutes of emptiness.

The film constantly lingers on shots for so long you'll begin to wonder if the wonder if the camera operator fell asleep. Then the next shot usually consists of something similar, as the camera holds for an unnecessarily long time once again.

Other choices in the film are flat out bizarre. A naked sword display partway into the story serves no apparent purpose other than to encourage many Netflix viewers to stop watching and start streaming something else.

Other times the camera fixates on closeups of dog poop. For a really long time. And then we see more dog poop. I really tried to understand the purpose of these shots, but I have no answer.

To the film's credit, the two worth-watching scenes I mentioned earlier are both truly remarkable. They give director Alfonso Cuaron a chance to flex his filmmaking muscles. He masterfully makes use of long scenes with no cuts, which gives viewers no chance to breath and really makes it feel like we are there, present in the moment.

But two great scenes don't make a great movie. The boredom overwhelms the snippets of brilliance, yielding a dull final product.

If hardcore art films are your thing, give this one a try. If not, spare yourself from hours of boredom and the horrifying naked sword display scene.

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